7/10 From Austin, Texas, experimental project Violent Squid unveil their latest release Landline Phone Calls From The Kitchen in 1992. It’s been six years since their last album Day Wants Empty, a collaboration between Violent […]
7.5/10 Combine my initial glance at the album artwork with the first track, “Noxious Revival,” I became worried that Sallow Moth’s The Larval Hope was going be a record that I heavily disliked. My first […]
90’s Score: 8.62020 Score: 7.7 I tell you, these fucking rearview’s are going to dig me an inescapable grave professionally. The year is once again 1999 (because why should I abandon this bit) and music […]
There is nothing more aggravating than meeting someone who claims that the music genre they listen to is the best and everything else sucks. Get the fuck out of here with that shit. Other genres […]
5/10 There is an interesting dilemma I am confronted with more often than I expected as a music critic. How do you respond to an album that is impeccably produced and features talented musicians playing […]
Even though we’re living on opposite sides of the country, I would say that Justin Bruce and I (Chris Aitkens) have fairly similar tastes in music. This kind of defeats the purpose of having a […]
10/10 Where do I even start with this Russian doll of a quasi concept album from trans artist Medusa (Buffalo, NY) entitled Boy of the Year? There are countless entry points and angles to this […]
7/10 I’m always amazed by the number of bands coming out of Hamilton, Ontario. I suppose it makes sense if you consider punk bands like Teenage Head and the Forgotten Rebels who made waves in […]
It has come to my attention that there are denizens of the society known as “social media” who believe that punk rock music (or music in general) and politics should be kept separate. How the […]
90s score: 9/102020 score: 9/10 My introduction to Canadian rock legends Our Lady Peace was a strange one. In the 90s, I was one of those kids that downloaded fan-made Dragonball Z videos (feel free […]
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