8.5/10 When several styles of music converge to create a brand of folk music, you get the folk noir style that is presented on Wookalily’s album, Everything Is Normal Except The Little Things Inside My Head. Slated to […]
8/10 Up until now, I had very little knowledge of the kind of music coming out of Israel, though I am curious about what art can be produced in a deeply religious nation on the […]
4/10 Something of a cross between folk and country, Simon George’s I Am the Wanderer: Tales from the Old West (released April 29th, 2019) is a throwback album, playing on classic themes and instrumentation throughout […]
8.5/10 Naghmeh and the Southern Shores‘s debut album is all about the journey. It is a collection of folk-rock tunes that could keep you going during a long trip, or give you validation that your […]
7/10 Nick Costa’s Devastator is a collection of songs that deal with ‘loss’ in all its forms. Whether it’s the passing away of a loved one, the end of a romantic relationship, or even the […]
5/10 At this point in history, we’ve already been mixing up genres for a while now. So why not mix it up even more and combine different entertainment mediums? Right, that’s also been done before, […]
8/10 Historically, EP’s have been used as more of a taste tester and a promotional tool, than a cohesive piece of art. In the 21st century, with a vast musical landscape and a population’s shorter […]
10/10 Everything about Oxford-based singer-songwriter Joely and her recent release EP are just downright beautiful. Released in January, the five-track EP is a dreamy, yet potent combination of Joely’s lovely vocals, her mature and engaging […]
5/10 Coming in from across the pond, Chloe Hawes’s newest release is a short four-song EP called O.W.W.W.P. The singer-songwriter delivers vibes that float in the world of country-folk-indie. It’s a relatively dialed back album […]
7/10 Montréal-based Jasmine Bleile’s solo project, Satellītes is Bleile’s momentous return from an extensive world tour with her former country-folk band and a subsequent hiatus; it is the product of Bleile’s return to her musicality […]
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