Summer Salt with Okey Dokey and Breakup Shoes – Live at L’Astral – March 1st, 2020 – Montreal, QC

On March 1st, 2020, beautifully soft retro feels were felt by all at L’Astral, when Summer Salt, Okay Dokey, and Breakup Shoes performed on a very flowery stage, with what seemed like only tenderness and sweetness in their hearts.

Breakup Shoes and Okey Dokey served up a great prelude to the main act of the evening, warming the crowd up so much that the entire audience was already holding each other in full hugs by the time Summer Salt arrived onstage. Breakup Shoes played up their most comforting melodies along to their typical retro video looks, brushing a sense of quaintness over the room. Their performance was nothing short of smooth and was executed with care; hat tip goes off to band members Nick Zawisa (vocals/guitar), Matthew Witsoe (drums), and John MacLeod (guitar) for somehow communicating a great sense of humbleness only through only song and presence.

Okey Dokey had us tapping our feet to frontman and visual artist Aaron Martin’s confident stride onstage. This folk band with ever-changing band members felt like they had known each other forever, like the tunes they were playing had always been around, especially their wonderful cover of “It’s a Beautiful Day in This Neighbourhood” from favourite children’s show Mister Rogers Neighbourhood. Martin was very engaging with some very overstated moves including walking directly into the crowd, all the way to the sound booth and back which got nearly everyone he passed by to smile big stupid stoned smiles. The unmistakable ‘lovey’ atmosphere was spreading through the whole venue. The crowd seemed completely in love with each other, the music, the scene before their eyes, and just life in general.

Saying these bands were well paired for this tour would be a complete understatement. All the bands on the bill were groups of musicians focused on pleasure and having fun, not to mention very similar in genre (retro folk crossed with some heavy doo-wop influences). A very ‘hipstery’ lineup, if you will, including orange worker’s hats, Doc Martins, and 80s style glasses. Other than good band pairing, the evening was also at a very appropriate venue; not too big which added a little extra intimacy and clear sound to provide that really bright output.

Only waves of happiness and a strong yearning for sunrays could be noticed during Summer Salt’s performance; so many positive vibes you’d wish you were laying on a beach somewhere, maybe with a couple little pieces of paper on your tongue for good measure. They transported us to an alternate universe where 60s/70s style keyboard was the default, and offered a performance that didn’t so much as miss a beat. Contrary to many performances out there, the softest part of the evening was the headliners. Vocalist and guitarist, Anthony Barnett’s unbelievably soft voice was alluring; the urge to drive to California in a convertible and make-out with my lover on a secret hill, was very hard to resist watching this set. Smooth and warm, the crowd swayed back and forth as one, and Summer Salt managed to get everyone to look at life with rose-coloured glasses. It’s really hard to be negative when you’ve got such a convincing positive gently cradling you into a ‘hippidy-hoppidy’ mood.

After some bouncing around, and a little bit of the ever-lovely and ever-talented frontman Matthew Terry inviting guests onstage for some more bouncing around, the world was completely coloured in pastel. Wonderful harmonies and comforting voices can’t steer you wrong; and the crowd’s reaction was evident of this. Everyone was so peaceful that between songs and applause were only small giggles in a rather quiet room adorned with sunflowers and colourful lights.

Performances of this type aren’t my usual areas of expertise, but even still, I was left quite satisfied and very much entranced. To me, that is the success to be proud of. If you can pull someone random off the street and show them a good time, and have that good feeling last on their way home, you can consider your job done well.

Written by Talia Plante
*edited by Danielle Kenedy

About Talia Plante 63 Articles
A classically trained pianist from the Laval suburbs, Talia sees no other clear path in life other than her passion for music. An experienced music teacher and social bird, she seizes any opportunity to be with others. Being an avid psychonaut and lover of emotional connection, she can often be found at parties of any variety, likely rubbing her face on cats she’s allergic to, or somehow slipping into conversation that black metal and baroque music are really just close cousins. Her lifetime favourites include Black Sabbath and Liszt, and anything even remotely psychedelic, doom, or stoner-like. Her current dreams are to become the modern day Mary Poppins (umbrella and children’s laughter included), buy a van to drive across any drive-able land, and spread sunshine wherever she goes. If spotted in the wild, the best way to make her smile is to ask her anything…or offer some cheese.

1 Comment

  1. Hi, Talia
    I enjoyed this review very much, thanks for writing it. It also makes me feel sad, because I just discovered Summer Salt yesterday (June 24, 2020.) I probably would have gone to this concert, if only I had known about it and them.
    With phrases like “waves of happiness, positive vibes, an alternate universe, smooth and warm, wonderful harmonies and comforting voices,” you captured the atmosphere so well. It’s almost like I was there, too.

    That’s all the more amazing, since you also wrote that: “Performances of this type aren’t my usual areas of expertise.” I’m trying to imagine what you would write if they were!

    These are stupid questions to ask now, but was the show sold out? The world has changed since then, but did they say anything about coming back to Montreal?
    Do you remember how much the tickets were?

    Thank you!


Leave a Reply

Your email address will not be published.


This site uses Akismet to reduce spam. Learn how your comment data is processed.